Salsa places near me: NYC Salsa & Bachata Dancing Clubs, Latin Events Calendar, Classes

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2 марта, 2023
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Houston Salsa Clubs: 10Best Nightlife Reviews

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Visitors and locals seeking salsa clubs in Houston are thrilled by Melody Club’s sizzling salsa social that takes place the first Saturday of every month. A well-established dance studio by day, Melody transforms after hours into a high-energy club where salseros of all skill levels heat up the spacious dance floor. With a complimentary salsa lesson, a full bar, talented guest DJs and mesmerizing special dance performances, this lively social offers hours of addictive entertainment.

The 5 Best Salsa Clubs in Orlando

Mojitos Ultra Lounge

Night Shade Lounge

Eve Orlando

Mango’s Tropical Cafe

Cuba Libre Restaurant and Rum Bar

Mojitos Ultra Lounge

Night Shade Lounge

Eve Orlando

Mango’s Tropical Cafe

Cuba Libre Restaurant and Rum Bar

Restaurants, rays and rollercoasters! Orlando is a city filled with attractions for all ages. For those seeking entertainment after dark can take solace in the city’s growing nightlife scene. In fact, one can experience the city’s diverse clubbing culture without having to look or travel too far. Here is a list of the most popular Latin clubs featuring the best Salsa nights within Orlando city limits!

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Cuba Libre Restaurant and Rum Bar

9101 International Dr Pointe, Orlando, FL 32819
(407) 226-1600
Cuba Libre, located south of central Orlando, quite literally takes attendees on a cultural and culinary journey to the streets of downtown Havana. As guests enter the restaurant and rum bar, they are greeted by sounds, structures and cuisine that mimic Havana’s streets. The interior features the same vibrantly colored walls and neoclassical architecture coupled with traditional food, drink, and dance makes Cuba Libre perfect for an authentically Cuban night out. For those looking to take the experience a step further, the restaurant and bar offers salsa music and other music mixes every Friday and Saturday evening for their Late Night Latin events. With Cuba Libre around the corner, a weekend getaway has never been easier!

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Mango’s Tropical Cafe

8126 International Dr, Orlando, FL 32819
(321) 710-4195
Self-proclaimed as the “hottest club in Orlando”, Mango’s Tropical Cafe is just that! The Cafe takes entertainment to the next level with live music performances and shows ranging from professional salsa dancing to the venue’s in-house live band. The possibilities are endless in terms of what you may see on any given day at the cafe, but as the night falls the cafe takes on a new persona where noon strobe lights, fog machines and Conga lines are all in order. On Saturdays, Salsa and other Latin genres take over the dance floor in the main room from 10pm to 2am! Mango’s Tropical Cafe is everything, but your average nightclub!

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Mojitos Ultra lounge

13526 Village Park Dr, Orlando, FL 32837
(321) 948-8665
Mojitos Ultra Lounge is Another great mega club located in the heart of downtown Orlando. Mojitos Ultra Lounge, just north of Village Park, is a great place for your next Salsa night out. The Lounge prides itself on providing attendees with the best of the best clubbing experience, as it’s unique interpretation of clubbing culture pulls from notorious nightlife scenes from across the country and across the globe. Mojitos is spacious, luxurious and inviting every night, but the space comes to life when Latin genres are a part of the equation. Though the lounge keeps things interesting with its variety of Latin genres being played on the decks, the club frequents the sounds of Merengue, Bachata and Salsa.

Instagram/nightshadeloungeorlando

Night Shade Lounge

536 West Church Street, Orlando, FL 32805
Night Shade Lounge, Orlando’s #1 Black-Owned Upscale Lounge, is the place to be when spending a weekend in the city. Night shade traditionally known for its, “Rum Runna Wednesdays” and “Ladies Nights Thursdays’ ‘, the club reserves Sundays for Latin Nights. On Latin Nights, attendees can expect to hear some of world renowned Latin musicians from the Orlando area. The lounge offers complimentary Salsa lessons provided by the esteemed Santo Rico Dance Incorporation and performances from Local bands. With good music, drinks and dancing this nightclub can do no wrong! If you are looking for an elevated night out with premier entertainment, the Night Shade Lounge is the next place to try!

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Eve Orlando

110 S Orange Ave, Orlando, FL 32801
(407) 602-7462
Eve Orlando is nightlife elevated. Located just north of the city center, Eve Orlando is beautifully decorated with a dazzling chandelier that covers the length of the dance floor, multiple full service bars, multi-tiered seating options and three separate entertainment spaces. The nightclub offers exquisite events on Wednesdays, Thursdays and Saturdays, but Fridays are dedicated to fans of International and Latin genres. On Eve Orlando’s El Escondite nights variety is the best policy– the club plays a host of music and dance styles including Salsa, Bachata, Reggaeton and more. If you are searching for a night on the town that is sure to impress make sure to add Eve Orlando to your list.

I want to dance. 10 misconceptions about dancing

The desire to learn how to dance is natural and natural in the modern world. You can list the reasons, starting with obvious and popular pragmatic desires, for example, to start moving or losing weight, ending with unconscious and even existential ones.

This is due to the fact that dances are at the subtle intersection of the inner and outer worlds, physical and spiritual. Above this, music becomes a driver that cannot leave anyone indifferent.

In dancing, there is magic inside a person, which is not always noticeable when viewed from the side. At the initial stage, it is the external picture that attracts to dances, and sometimes repels, as it seems too frivolous and superficial.

But there are even stronger obstacles that stop many people from starting dancing. These illusions and delusions roam the minds of the majority, and are often afraid to ask about them directly, or they ask the question about it so often that they are no longer ready to hear an honest direct answer. I will try to do it in this article.

There are many examples of contemporary dance instructors sharing their thoughts about not expecting to be in the dance industry. Once upon a time there was a man and was engaged in adult, serious business. Sometimes even very serious. A person could have children and even grandchildren. I saw dances only on stage or on TV. For reasons unknown to himself, he ended up in dances. At first, everything seemed like entertainment and a useful pastime. But time has passed, and a person catches himself thinking that he thinks about dancing not just every day, but really all the time. A couple of years pass, and he already becomes a teacher or organizer of some event.

A similar path can start at 15 or 55 years old. The only difference will be in the self-perception of the starting stage, that it’s too late to dance. In fact, for each age there is its own dance direction, which can reveal it to the greatest extent at this stage. Hip-hop or breaking is closer to children and teenagers, and Argentine tango is closer to adults. It’s never too late to start dancing. You need to make the right choice of dance style based on several parameters: age, gender, music, goal. There is a dance direction for any arrangement.

Misconception 2: Men don’t dance

Our culture has a number of restrictions related to dancing. Most of these causes are psychological and lie outside the realm of rational reasoning.

First, in our culture, in principle, dancing for pleasure or self-expression appeared relatively recently. 20-30 years ago dance clubs were only for children. To start dancing even in adolescence was considered exotic.

Secondly, the aesthetics of the body in our country for men is not in the focus of attention. In general, this can be attributed to the fact that Russian men try hard not to draw attention to their appearance and clothing. Men in our country use other tools for this.

Third, dancing is associated with entertainment and alcohol. If a man feels serious and respectable, then he either does not have time or desire for this.

Nowadays the general cultural background has changed and the result is that men are learning to dance. It becomes as much a sign of masculinity as clothing, hair or beard.

Unfortunately, many misconceptions remain even among those who have already started dancing. Dance teachers do not always pay attention to this, as it seems to them that this is a matter of course.

Fallacy 3: special training is needed

For an outside observer, there is always a cognitive dissonance about what dance is. What he sees on the big stage in the form of a show with sweeping movements and splits is obviously dancing. Breakers doing unimaginable elements in the air and on their hands, competing with each other, also seem to be dancing. Pensioners in the park waltz. Dancing again, but for some reason everyone is so different. How to understand that this is a dance, and what physical criteria should be in the body.

In fact, any self-expression through the body to music can be attributed to dance. There are a number of reservations, but they are not essential. For self-expression, a person uses the set of plastics that he has. Subtlety and technique do not depend on extreme ways of self-expression, and it often happens that splits and somersaults interfere with a meaningful dance. The development of plasticity and the expansion of the body’s capabilities are part of the preparation of the dancer, but not an end in itself.

Fallacy 4: You must learn to dance in pairs

In couple dancing, the final learning outcome is that the couple dances at a party. It would seem that you should always train together to get the desired result. This is not true. Let’s take an example from boxing. An indicator of a boxer’s skill is a fight with an opponent, but this does not mean that he constantly has to fight. Also, the ability to dance is built on the possession of one’s own body and the ability to interact.

The skill of the teacher is the correct selection of methods so that the student masters the skill. Based on the skill, you can engage in creativity and self-expression in dance. Not everyone knows, but it is no coincidence that almost all social dance dancers have a serious dance background, which is based on the development of individual techniques.

The same can be attributed to the interaction in a pair. The ability to separate in oneself the one who leads and the one who follows the lead is impossible within the framework of studying the sequence of movements in pairs. For this, there are special exercises that make the skill more versatile. For this, the presence of a permanent couple is not necessary, as well as the regular presence of a partner in general.

IMPORTANT! You can’t experiment at a party, and everything should be in its place there: men dance with women.

Getting rid of illusions is a complex internal process. If you leave them to yourself, you can even get the opposite result.

Fallacy 5: plastique and stretching are mandatory attributes of dance

Much depends on the genre of dance that you want to master. In previous articles, I have already mentioned that different dance styles are suitable for different ages. It is appropriate to dance hip-hop in adolescence or youth, Argentine tango is a more adult dance, it is important to enter classical choreography at a young age.

The degree of necessary plasticity and sensitivity to the dance direction also correlates. For example, breaking requires great physical effort and dexterity. Elements are built on acrobatics and high speed of execution. Who are they more suitable for? Obviously young people.

There is a lot of interaction in salsa. It is necessary to feel the partner subtly, to be able to show a variety of figures and elements. Twine or acrobatics are completely inappropriate here. However, a variety of ways to show oneself are required. Accordingly, the dance is youthful, but not at all childish.

The older the dance, the less stretching or acrobatics is required. The main emphasis is on the quality of technology, the variety of ideas and the ability to show plasticity.

Misconception 6: Mirrors are necessary for learning

There is a set of instruments that dancers use to learn how to dance. The fact is that the dancer needs to receive feedback on how his movements look from the side. It is impossible to dance and see yourself from the side at the same time. The most common tool is a mirror. But not the only one.

Like any auxiliary tool, mirrors have positive and negative effects. The positive is that they can receive feedback in real time and technically it is not very difficult. The downside can be dependence on mirrors. A situation where a dancer cannot capture the feeling of dancing, such as on stage or at a party. For these purposes, you can use, among other things, video filming or proper preparation.

In many countries in Latin America, dance classrooms are not equipped with mirrors. Classes are held in bars or large halls. The dancers initially form the skill of focusing on the inner sensation, and not the habit of looking for their reflection in the mirror with their eyes.

Misconception 7: there is a lot of obsceneness in dancing

A common question from novice dancers who are taking their first steps in more contact couple dances is “in order to dance cool, there must be passion inside the couple?”. I immediately answer that no, not necessarily. Kizomba, bachata and Argentine tango attract many with their close contact. Like any other contact in our everyday life, in dances, contact can be different. We hug friends, parents, children. These hugs can wear many different shades. Sexual overtones are one of many.

The culture of dance also includes the boundaries of what is acceptable. A compliment from a well-mannered person is different from a statement about female sexuality by a gopnik. Usually, those who study at a dance school already have an idea of what boundaries should not be crossed. A good dance from a technical point of view will never look vulgar or vulgar.
Dancers always have a choice about the boundaries of contact. Most prefer to leave a good impression of themselves, as word spreads just as fast in the dance world.

Misconception 8: the best dancers are the bearers of culture

Even the very question of the origin of this or that dance can be paradoxical and ambiguous, especially when it comes to its development and performance.

For example, the Viennese waltz did not originate in Vienna, but in Germany. Salsa has its main roots in the USA, not in Cuba. The famous Greek folk dance sirtaki was invented for the film Zorba the Greek and appeared only in 1964.

The same can be attributed to the development of modern dance styles. Korea is known for its world-leading break dancers. People go to Turkey for Argentine tango, Spain is strong with excellent salsa and bachata dancers, in Egypt, Russians are considered the best belly-dance performers.

A good dance is based on quality training and diligence. Skin color, place of birth and age are secondary. Exotic appearance, unfortunately, is often a reason to be more superficial about one’s own professional development. This becomes the reason for the low level of teaching among the bearers of culture. I am sure that few readers of this post will be ready to conduct a master class in Russian folk dance outside of Russia.

The mastery and teaching of a particular style does not depend on the dancer’s homeland. And «they absorbed the dance with their mother’s milk» is nothing more than a common misconception.

Misconception 9: You have to know a lot of moves to learn how to dance

Focusing on learning a lot of moves often detracts from the essence of dance. Of course, the sequence of figures is important. Especially at the start. Over time, the dancer should have an understanding of how movements can be generated independently. Accordingly, instead of memorizing millions of figures, you can understand how to create them.

From every system of improvisation that a dancer can use as an instrument, dozens, hundreds or thousands of variations are derived. This frees the head from trying to reproduce the exact sequence and definitely adds freedom in the performance of the dance.

The huge theme of musicality can be attributed to the same question. Not every pre-conceived or learned sequence will fit specific music. The dance should give freedom, and not drive the dancer into the shell of the ropes.

Misconception 10: dancing is homosexual

The unusually high attention to the body and flair from stories about professional ballet led to the spread of this myth, among other things. Unfortunately, such an idea still exists in the minds of our fellow citizens.

The dance industry is now very broad and is represented by many dance styles. Some of them can even be called homophobic. Dances reflect the general attitude to the world and it is different depending on the life position and worldview of a person.

In many dances there is contact between the dancers. In Russia, dance contact between men has always been perceived very intensely. In most other countries it is different. An example of the fact that this tension is associated only with the dance theme and does not apply to other areas is, for example, wrestling. When practicing techniques, men are in much closer contact with each other. Sometimes lying on the floor and holding each other tightly. The historical roots of Greco-Roman wrestling are also ambiguous from a sexual point of view. But in our country, unlike dance, they are perceived as acceptable and brutal.

Dance, like the culture of speech, makes a modern person more successful and self-confident. The ability to control one’s body, tune in to another person and the ability to be aesthetic in the plasticity of movement is valuable in the modern world. If we add here the pleasure of the process and the availability of dance as such, then the possibilities of this activity can hardly be overestimated.

It’s sad when interested people are stopped by prejudices and myths that have nothing to do with dancing. Freedom in body movements begins with freedom of thought and willingness to change.

I hope that this review will help to take a different look at the dance culture for those who still have doubts about whether to start dancing.

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Dance studio 25.

Dance studio 25.5

Schedule

If you have any questions about open lessons or directions, call us!

8 (812) 944-25-58

We are always happy to help you!

About Dance Studio 25.5

We opened on March 5, 2013. When creating the school, we made the main emphasis on the fact that within the framework of one school it was possible to study both different directions, and some one from completely different sides. We have created a place where the efficiency of classes always tends to the maximum, a place whose comfort has become a second home for many students. We do not stand still, we are ready to give new and advanced dancers and, of course, beginners. We are constantly improving our teaching skills, opening up new directions, and looking for talented teachers. We are proud that we managed to create a sincere and high-quality dance studio with fairly low prices!

Benefits of Dance Studio 25.

Dance Studio 25.5 offers more than 15 dance styles: Salsa, Hip hop, Bachata, Dancehall & Twerk, Reggaeton, Contemporary, Kizomba, House, Argentine Tango, Jazz Funk, Stretching, Popping, Vogue, Dancing for children, staging a wedding dance. New directions are constantly opening up, new and strong dancers-teachers are invited. · In our school there are groups for beginners «from scratch» and for those who have dance experience. Each group has its own program with different levels of difficulty.
Dancing training takes place in an easy form — each teacher becomes not just a teacher, but also a good friend to his students. They subtly feel each student and find an individual approach. In Dance Studio 25.5 you don’t have to be afraid — only those who do nothing do not make mistakes!
The dance studio 25.5 has an advantageous subscription system, and the prices are among the most democratic in St. Petersburg.
Classes are held in spacious rooms equipped with everything you need: professional sound equipment, mirrors, high-quality dance flooring, separate locker rooms for men and women. In addition, students are given the opportunity to practice free of charge during their free hours.
We regularly hold various parties, reporting concerts, trips, seminars, master classes and much more.

Why us?

Near metro station

The dance studio is located in the city center! Walking distance from metro station Gostiny Dvor or metro station Sennaya Ploschad

Affordable prices

The most voluminous and inexpensive subscriptions in the city, flexible system of discounts!

More than 15 directions

Modern dances, couples, solo, rhythmic or melodic dances… What do you think? 🙂

The best teachers

Only the most professional and talented teachers are in our team

Master classes and seminars

We are constantly honing our skills, organizing seminars on dance styles and musicality.

Parties and leisure

Parties, games, movies on weekends. Our people not only dance — they live with us! 🙂

Team 25.5

Margarita Tahvonainen

Hello everyone! My name is Rita and my direction is High Heels and Jazz-funk From the age of 3 I was engaged in acrobatic dances, at the age of 17 I switched to modern dances and am still in love with dancing. I am studying to become a trainer-teacher in acrobatics (KFKiSET at St. Petersburg State University) I have been teaching since 2019years (teenagers/adults) Main directions — Heels, experiential, jazz funk She was a member of the «Ghetto Freak» team led by Daria Ruzanova, the «I LIKE THAT» and «I LIKE THAT HEELS» teams led by Evgeny Markin / Irina Kataeva. She took part in the dance show «Dancing on TNT Last Season» in the duet «Cutlet with Pyureshka». I also take part in various shows with stars (Dmitry Bilan, Sergey Lazarev, Polina Gagarina, etc.) I attend master classes of both Russian choreographers/dancers and…

Battle Fusion – All styles — Winner

Shut Up and Dance – Bonnie & Clyde — Winner

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Ilya Podpalny

Head and founder of Dance Studio 25. 5. Salsa teacher (Salsa).

Dance experience: 19 years

Teaching experience: 10 years old

more0108 14 years

Teaching experience: 5 years

Achievements:

Studied with many teachers, including world-class stars (Eddie Torres (USA), Wilmerana and Maria (Cuba), Ataca ( USA)
Conducted dance workshops in Kazan, Smolensk, Cherepovets, Syktyvkar, as well as in Egypt on the Russian Wave

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Olga Korolkova

Dance experience: 10 years

Teaching experience: 3 years

Official representative of the Frame Up Strip in St. Petersburg
Member of the G.A.L.A. (directed by Anton Lushichev) — winner of such championships as Just Dance, FYC
1st place strip solo pro at Start Dance Fest
Choreographer of the KO.TE team — 2nd place at Start Dance Fest 2022, 3rd place at Dance Way Fest 2022

Elvira Greisman

Teacher — High Heels

Dance experience: 12 years

Teaching experience: 7 years

Achievements:

The main composition «Todes» 2018
Member of the Fraules Team 9000 9000 9000 9000 9000 Medvedeva

Teacher Salsa, Kizomba (Salsa, Kizomba)

Dance experience: 25 years Teaching experience: more than 15 years Dance and movement therapist, teacher of social areas — Kizomba, salsa, bachata.
Co-organizer of international festivals. Nominee: 2012 Teaching Debut of the Year at the 2013 Salsa Awards.
2nd place in the international dance project «Teachers Competition» within the framework of the annual international festival «Hot Winter in Siberia 2015». She assisted at the master classes of Albir Rojas, Кwenda Lima, Super Mario, Kristofer Mencak (world-class teachers).
She taught in such cities as Moscow, Yekaterinburg, Novosibirsk, Krasnoyarsk, Tashkent, Ulan-Ude, Almaty, Astana, Tallinn and others. I am currently studying dance movement therapy. I am going through the Professional program in integral dance from the Moscow …

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Elizaveta Carrasedo

Lecturer Salsa Casino, Reghaeton (Salsa Kasino, Ruggeton)

Dance experience: 7 years

BATTITITION BATTERS: PRO category in Nizhny Novgorod at Afro-Cubano Weekend 2019

Absolute champion of the Salsk «Agozar» solo competition 2021

Numerous victories in J’n’J in salsa

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Elizaveta Terekhova

Lecturer in the direction of Twerk (Twerk)

Dance experience: 17 years

Teaching experience: 7 years

:

9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000

000 90s disco, pirate station. Danced with artists such as Diskoteka accident, GSPD, Yellow Claw, Shark, etc.
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Mikhail Trofimchuk

Lecturer Bachata, Salsa Ny (Bachata, Salsa New York)

Dance experience: Over 20 years

Teaching experience: Over 15 years

Merit, awards: «Hundreds of Sob people» Hundreds of Soberet) »

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Anna Boyarintseva

Bachata teacher

Dance experience: 11 years

Teaching experience: 1.5 years0003

Achievements:

Participation in Russian and international festivals

more teaching: 20 years old

«Angel of Hope» — 1st place

«January Project» 2011 — OTON team — winners (artistic director)

Crystal Show 2012 — ballet Saint Sinners — 1 -th place in the category Erotic show (professionals) (artist)

Cristal show 2013 — 1st place in the category Erotic show among professionals

Wave of success 2013 — 2nd place among professionals in erotic dance

Dance way 2018 — 1st place

2011 OTON team (artistic director)

2011 Judge at the International Dance Spartakiad in X-Dance

2017 The Great Moscow Circus (ballet dancer)

2019 choreographer and dancer of the Vivaldi media show

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Alexandra Kryukova

Dance experience: 18 years old

Teaching experience: 3 years

Achievements:

Settlement of a participant in the international festival-competition of choreographic art named after Pari-Grand «Pari-Grand» Professor Yuri Gromov

1st place at the Start dance festival in St. Petersburg as part of the «My BROMINE» team, contemporary direction

Member of Sasha Pirogova’s team (famous twerk and dancehall choreographer of Russia and St. Petersburg) «Pie Team»

Attended master classes by Russian and foreign choreographers

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Kirill Belousov

Hello, my name is Kirill. I have been doing Break Dance for 14 years. I have been teaching since 2013. Laureate of the 1st degree of international competitions in Kazan and the Stavropol Territory. Break shaped me as a person and hardened me. Constant competitions and training each time became more and more interesting. Year after year, new opportunities opened up for me, it motivated me to go further and not stop.

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Vladimir Ovsyannikov

Vogue teacher

Dance experience: 14 years Teaching experience: 5 years Member of the Legendary Kiki House Of DIND’ADA; Kiki House of G-Grass Organizer of «KOLHOZ VOGUE PARTY», «SHADY VOGUE BALL» in St. Petersburg Passed master classes of such teachers as: Dima Bonchinche, Amplituda Bonchicnhe, Verushka Bonchinche, Nikita Bonchinche, Natalia Mafia, Smetana Ninja, Alan Saint Laran, Serge Saint Laran, Yanou Ninja, Ada Ninla, Bardash Ninja, Vitaliy Ninja and others. Merits in battles: NRG VOGUE BALL 2018 Hands Performance — Finalist, Old Way — Semifinal
Mini Vogue ball WITH DIANA FERRE Old Way — Winner
Fashion Season Vogue Ball 2021 Pop Dip and Spin — winner; Hands performance finalist
Print Kiki Ball 2021 Tag Team Old Way — Winner
Big llamas vogue ball 2021 — Excalibur Performance — winner; Old Way — Finalist
Inspired Vogue ball 2021 — Old way — Winner ; Excalibur performance — Finalist.
Ninja Vogue ball 2022 — Excalibur Performance — finalist. Creative work: Took part in the filming of the movie «Battle»
Participated in the production of the play «Patchwork Quilt» …

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Ulyana Kholmova

Strip is a whole art, it can be absolutely different. From sensual productions to some comedies. I put a certain meaning into each choreography, which we will reveal together with you. Strip is an opportunity to find yourself, open up, see something new.

Dancing experience

I have been teaching dance for 2 years already, my journey started with contemporary, then I switched to strip

I went through sexy edition (frame up strip)

MK Convention FRAME UP Strip

I am the winner of

Start Dance Fest 2021, IDOL 2022

2 place Start Dance Fest 2022

2nd place Exo Diamond 200009

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Dance experience: 13 years

Teaching experience: 2.5 years

Achievements:

Petersburg.

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Dmitry Landman

Head and founder of Dance Studio 25.5. Teacher Salsa, Man Styling (Salsa, Man’s Style).

Dance experience: 26 years Teaching experience: 18 years Founder of Dance Studio 25.5 Organizer of the largest salsa party in St. Petersburg — «NYparty» About myself: I have been involved in sports ballroom dancing since I was 7 years old, I was the winner of many international tournaments. The dance couple was in the top 20 best couples in Russia. He graduated from a music school in piano, a specialized school with in-depth study of the English language. After taking sports ballroom dancing in 2005, he entered the University of Telecommunications and took up science, but he did not give up dancing. In 2006, he visited a salsa party for the first time and became interested in this dance. Since that time, Dmitry devoted all his free time to studying all areas of salsa, attending parties, international …

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Alexander Kharitonov

Lecturer in the direction of Bachata (Bachata)

Dance experience: 5 years

Bench experience: 4 years old

9000 9000 Jack & Jill
Organizer of the Saint Petersburg Bachata Open Cup

Organizer of “Relax Bachata party”, “Remix Bachata party”

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Diana Iskakova

Lecturer Strip Plastic, High Heels (Strip plastic, hi hills)

Dance experience: 20 years

BECOMING BECAUSSIALS: years 12 years 9000

winner and winner of dance Strip Plastic St. Petersburg, 2015-2016

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Anastasia Rodionova

Dance experience: 9 years

Teaching experience: 3.5 y. Fam
2x Champion of Russia (with Monplezir team)

1st place MDF in the Dance Show Adults nomination

3rd place Just Dance in the Best Street Show Pro nomination

3rd place World of Dance in Moscow

Winner of the Grand Prix of the city competition in 2013 (as part of Hip-Hop Production)

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Elizaveta Yatsyuk

Dance experience: 2 years

Teaching experience: 1 year

Achievements:

1st place in the Jackk AND JACKSISKY CN in the Pro-A category (novice teachers).

1st place in the St. Petersburg Open Cup 2022 by Bachate, jack and Jill in the Intermediate nomination.

1st place in the Dance Factor 2022 Latino nomination, Bachata Time team.

2nd place in the Dance Factor 2021 competition in the Latino category. Finalist of Jack and Jill competitions “Federation of Social”

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Polina Seredkina

Dance experience: 16 years Teaching experience: 1.5 years Achievements: As part of the Chertova Dyuzhina team: 2nd place Start dance best dance performance profi 2018
3rd place project818 Best dance performance jazz funk mid crews 2019
1st place Just Dance — best ladies dance show Profi 2019
1st place Just Dance — best dance show profi 2019For one year, as part of the CandyFloss team, they participated in the Dance Revolution dance project on Channel One
Winner Dancing Polytech 2021
Member of the jury DANCES.POLYTECH 2022
Member of the jury of the Week. Mountain 2022
Winner of the Go Dance Festival 2022 in the category Best solo contemporary choreo
Participant of the festival «Line up» 2022
Participant of the festival «Construction» 2022
Teacher-choreographer of the studio…

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Daria Bolotina

Instructor Salsa NY, Lady Styling (Salsa, Female Style)

I was born in sunny Tashkent.