Vestidos celia cruz: Resultado de imagen para vestidos celia cruz
El glamour de Celia Cruz
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La exhibición Forever Celia muestra pelucas, vestidos, tacones y otras pertenencias de la Reina de la Salsa Celia Cruz.
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AZÚCAR
Celia Cruz
Credit: Cortesía de Osmany Torres
Una majestuosa exhibición en Miami muestra artículos personales de Celia Cruz como sus vestidos, tacones, pelucas y más. Forever Celia en el American Museum of the Cuban Diaspora celebra a la eterna Reina de la Salsa.
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LA VIDA ES UN CARNAVAL
Celia Cruz
Credit: Cortesía de Osmany Torres
Los vestidos de la cantante cubana son únicos como ella.
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PARA UNA REINA
Celia Cruz
Credit: Cortesía de Sarao Entertainment
Celia era amante de los colores vivos y alegres, como este traje naranja.
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DIOSA DEL CARIBE
Celia Cruz
Credit: Cortesía de Sarao Entertainment
Los zapatos de Celia Cruz eran extravagantes y glamurosos, fuera de serie.
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LA NEGRA TIENE TUMBAO
Celia Cruz
Credit: Cortesía de Sarao Entertainment
Las lentejuelas y plumas decoran mucho del vestuario de la Guarachera de Cuba.
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CELEBRANDO A CELIA
Celia Cruz
Credit: Cortesía de Sarao Entertainment
Ileana Fuentes (directora del museo), la cantante Lucrecia, Oscar D’León y Omer Pardillo (curador de la exhibición) en el American Museum of the Cuban Diaspora en Miami.
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UNA VIDA PARA CONTAR
Celia Cruz
Credit: Cortesía de Sarao Entertainment
La revista People en Español con Celia Cruz en portada es uno de los artículos que forman parte de la exhibición.
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QUIMBARA
Celia Cruz
Credit: Cortesía de Sarao Entertainment
Las llamativas pelucas de la cantante eran parte esencial de su look.
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SIEMPRE ALEGRE
Celia Cruz
Credit: Cortesía de Sarao Entertainment
Las pelucas le permitían a Celia ser muy versátil en el escenario y cambiar de estilo de cabello en cada show.
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CELIA EN EL ALMA
Celia Cruz
Credit: Cortesía de Sarao Entertainment
“Yo tuve el honor de conocer a Celia de la Caridad Cruz Alfonso, la mujer, no la artista. Era totalmente diferente a lo que la gente veía en escena. Celia era una mujer calmada, amiga de sus amigos, que se preocupaba por todos en su entorno. Eso es lo que mas extraño, los detalles de Celia Cruz», cuenta Omer Pardillo, amigo, ex manager y albacea de la cantante, quien es curador de esta exhibición y productor ejecutivo del musical Celia.
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TRIBUTO A LA MÁS GRANDE
Celia Cruz
Credit: Cortesía de Sarao Entertainment
«Fuimos muy amigas, tuvimos una relación muy linda, muy intensa. Actuamos en diferentes escenarios, tuve el honor de compartir discos también con la reina», dice la cantante Lucrecia, quien encarna a Cruz en el musical Celia que se presenta en el Adrienne Arsht Center de Miami el 16 y 17 de noviembre.
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SU ALIADA EN LA MODA
Celia Cruz
Credit: Cortesía de Osmany Torres
La diseñadora Irma Peñalver creó varios de los vestidos de Celia Cruz.
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RÍE Y LLORA
Celia Cruz
Credit: Cortesía de Sarao Entertainment
La muestra también incluye fotos de momentos inolvidables en la vida de Cruz y de amigos suyos como Gloria Estefan, Cristina Saralegui, Oscar D’León y más.
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Vestido de Celia Cruz estará en el Museo de la Salsa de Cali
Luego de tres años de conversaciones la pieza que usó la reconocida cantante cubana estará en la capital del Valle del Cauca. EFE/Domenech Castello
Celia Cruz dejó un importante legado para la música tropical en América, el mundo y por su puesto en Colombia. En Cali, capital de la salsa, esta herencia se sigue expandiendo gracias a una pieza de la reconocida cantante cubana que ahora estará en un museo de la ciudad.
Un vestido de Celia Cruz fue donado por Omar Pardillo, quien fue representante de la artista, al Museo de Salsa de Cali.
La importante pieza que una vez fue usada por Celia Cruz para engalanar junto con su voz los escenarios del mundo entero, será presentado de manera oficial el próximo 9 de septiembre a las 6:00 p .m. por Carlos Molina Jr., actual director del Museo de la Salsa.
Tres años de conversaciones para que la pieza llegara a Cali
El vestido que donó Omer Pardillo a través de la Fundación Celia Cruz, llegó a la capital del Valle del Cauca después de tres años de conversaciones entre ambas organizaciones dedicadas a rescatar y promover la cultura.
El director del Museo de la Salsa en Cali aseguró que la relación cercana que tenía su padre con la cantante cubana facilitó el trato para que la importante pieza llegara a la capital vallecaucana. Así mismo, resaltó que la pandemia y otras situaciones en Colombia provocaron retrasos para la llegada del vestido de ‘La Guarachera de Cuba’ a la ciudad.
“Mi papá era amigo personal de Celia Cruz y por la afinidad que tiene el museo se facilitó la relación. La pandemia, el paro y otros obstáculos no habían permitido traer el vestido pero ya está aquí”, manifestó el director del Museo de la Salsa.
Para Molina el tener el vestido de Celia Cruz en Cali permite que la ciudad gane todavía más reconocimiento a nivel internacional.
Además, resaltó la importancia del intercambio cultural que esto significa.
“Con esto la ciudad gana intercambio cultural, reconocimiento sobre lo que es Cali y lo que le entregó a Celia. Ella es la representante femenina más importante de la música latina y no solamente por la salsa sino también por ritmos que están en América Latina”, destacó Carlos Molina Jr.
Evento de presentación del vestido de Celia Cruz
La Alcaldía de Cali y el Museo de Salsa de la ciudad informaron que la presentación de la pieza que visitió la cantante cubana se realizará en un evento este viernes 9 de septiembre a las 6:00 p. m.
La actividad será abierta al público en el Museo de la Salsa ubicado en el barrio Obrero. Así mismo, se informó que junto con la prenda de ‘La Guarachera de Cuba’, los asistentes podrán disfrutar de la colección de fotografías y “elementos del ecosistema salsero que tiene importante espacio cultural”.
Por las ventas internacionales de la novela de Celia Cruz entutelaron a RCN y a Fox Telecolombia
Foxtelecolombia S.
A y RCN Televisión fueron entutelados a mitad de este año en aras de que presentaran los contratos que hicieron estas cadenas con otros canales para difundir la novela de la cantante cubana Celia Cruz, la cual se emitió en el 2015 en Colombia.
La tutela tenía como fin que se dieran a conocer los contratos y detalles de los mismos como ventas a terceros, valores, países de origen, etc. Desde el 2019 se presentó la tutela y en julio de este año fue aceptada por un juzgado en Bogotá, el cual deberá resolver el pleito que se generó con la obra audiovisual de Celia.
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Tango, Gaucho, Mate and Evita Peron…
…Life is a carnival, and it’s better to live with a song…
(Celia Cruz)
the famous song of the queen of salsa Celia Cruz.
Her words are constantly spinning in my head, reminiscent of the mysterious birthplace of tango and the annual festival of this popular dance in Buenos Aires, which attracts amateurs and professionals from all over the world. The simple philosophy of the late Celia Cruz is also the motto of Argentina, the most «European» representative of South America. nine0006
Buenos Aires is called the Paris of South America, and rightly so. The city is indeed very reminiscent of Paris architecturally, but with taller houses and a much wider river. Here are impressive green avenues and boulevards, well-groomed parks, an exquisite culture of restaurants and bars, a variety of cultural life and an unusual bohemian atmosphere with the local Montmartre — the center of artistic life — the unique San Telmo. The Porteños lifestyle (as its inhabitants are called in Spanish) gives the city a special charm with their custom to meet friends in cafes and bars late at night and have fun until the morning. The culture of tango, which has now become fashionable again in European capitals, attracts hundreds of foreigners to the Buenos Aires salons of this dance, as well as its faster and more «free» variety — milongas.
Many come for a few weeks, but, immersed in this life, stay for years. nine0006
I liked the way the street dancers dance the tango on the Florida street: a very elegant girl and an old man, leading his young partner with rare artistry, and he himself begins to seem like a young man who cannot help being carried away. The girl twists her leg around her partner’s leg. Dressed in a dress with a long slit, mesh and hairpin. Very… even very… Maybe it’s a coincidence that tango was born in Argentina and not in another Latin American country. But walk around Buenos Aires at night, and you will understand that even the moonlight here trembles in the rhythm of tango — languid and passionate at the same time. nine0006
Tango was born somewhere here, in La Boca, a port suburb of Buenos Aires, in that part of it called Kamenito. Today, tourists come to Kamenito to see the places where the most popular dance of the 20th century was born. Everything here is permeated with the spirit of tango.
Dancing couples everywhere. Street artists sometimes paint views of Kamenito in a very extravagant way. Numerous bas-reliefs on buildings and sculptures depict tango dancers, women whose favor they sought, and along with famous football players, because Camenito is home to the largest stadium in Buenos Aires. Even the houses in the area are unusual. Their facades are painted in three, four or even more colors. This has been done since the days when paint was expensive, and what was left after the repair of ships was allowed on the buildings. It was enough for half the facade — well, for a quarter — it will also do. Nowadays, such coloring is no longer dictated by necessity. It is, so to speak, an element of tango culture. nine0006
The development of tango in Argentina is curious: its perception and non-perception by society has always depended on distant Europe. When, at the end of the 19th century, tango was born in the poor areas of Buenos Aires, it was danced only by representatives of the social bottom — various criminals and prostitutes in brothels.
Accordingly, he was treated with contempt by the Argentine elite. Then came the legendary Carlos Gardel, who created the tango cancion — a tango song — with its deep meaning, lyrics that touched the deepest feelings. He became famous in Paris and New York, and his success there made the music popular at home. The tango became its own in the elite salons of Buenos Aires, a dance that those in power considered it an honor to learn. nine0006
A few years ago, I was struck by television footage of a reception in London for the then President of Argentina, Carlos Manham. Prince of Wales Charles invited the President’s daughter Suleimitha to the tango. Both are excellent dancers!
The main theme of tango songs is nostalgia for a past life, sadness about betrayals in love, loss of friendship, changes in native landscapes. From port pubs, tango quickly migrated to secular living rooms. Famous composers began to write music for him, and not only Argentine ones. Despite the rapid growth in popularity, the Catholic Church has long been sharply negative about tango, considering it obscene.
And only on the eve of the First World War, the Pope allowed all Catholics to dance the tango. The creative intelligentsia of Buenos Aires, who gathered in the cafe «Tortonni», also did not escape the fascination with the new dance. Roberto Fanny — manager of the Tortonni cafe: «In the middle of the 19th century, a family of immigrants from France decided to open a cafe in Buenos Aires, an exact copy of the one where Parisian artists liked to gather. In the Argentine capital, Tortonni quickly became popular in bohemian circles. The Argentine tango genius Carlos Gardel was a regular at the Tortonni, where his masterpieces were born — he wrote poetry and immediately performed his new tangos.» In Buenos Aires, and today thousands of people of different ages devote all their free time to him. nine0006
Argentina’s popularity among foreigners is facilitated not only by tango, but also by the current economic situation. During the recent crisis, the Argentine peso has devalued three times, making the country very cheap for Western tourists.
Now there are almost no signs of a crisis. In addition, the windows of some banks in the capital are barricaded to this day, and their walls are “decorated” by the repeated word ladrones (thieves) — a consequence of violent hunger protests two years ago, and sometimes you will see beggars, which was almost never seen in this country before . People again filled the restaurants and bars that were empty two years ago, they dress fashionably, the streets are clean (although the Argentines themselves complain — now the opposite is true for them: for those who are used to traveling to Europe and America, it is now difficult to afford it). Now the prices in pesos are the same, but for the dollar they already give as much as 3 pesos! Drink and party all you want… Lunch with the famous Argentinean steak called bife de choriso with chimichurri sauce, salad, fine wine, dessert and coffee at a good restaurant in the trendy Recoleta district, where wealthy porteños live, costs 4-5 dollars. nine0006
Prices in Argentina are denoted by the same sign that we are used to in the role of the dollar — $ .
Therefore, people often get confused, and dishonest traders take advantage of this. The American dollar in Argentina is designated US$ , do not confuse!
Due to the fact that the vast majority of the population comes from Europe (primarily from Italy and Spain), European tourists are not so conspicuous and easily lost in the crowd. So security is all right. Learn a little Spanish, and you will not be distinguished in the crowd. nine0006
English is spoken in hotels, rarely on the street. Even if you ask how to get somewhere in English, they will answer you in Spanish, and in chatter, in full confidence that you know Spanish.
When talking with Argentines, everyone is sure to be amazed: “What is Argentina without tango and without Eva Peron?” When you go out onto the famous balcony in Casa Rosada, you remember exactly this song: “Do not cry for me Argentina!” The real Evita dreamed of becoming an actress. But her every appearance on stage or screen ended in failure.
Standing on the balcony of the Presidential Palace next to her husband, Juan Perron, in front of a huge crowd chanting her name, Evita realized: here she is — the main role of her life. nine0006
She was given seven years to become queen, mother of the nation. And during this time, not a single failure. In the role of the first lady of Argentina, Eva Peron could not be surpassed by anyone.
A faithful companion of the leader and savior of the nation, a good angel of the country, a woman who radiates love and attracts love to herself — this is how Evita remained in the memory of many. She wore dresses from Chanel, Russian sable fur coats, some of her outfits are kept to this day in the Museum in Buenos Aires. Her incredible cost of jewelry was also famous. Known for her phrase, pronounced in the theater «Colon». She stepped onto the stage of a huge six-tier theater, raised her hands, studded with rings, and said: «These jewels, my people, I wear for you!» And the whole hall exploded with applause.
«The people adored her. In the building of the Confederation of Trade Unions of Argentina, Evita placed the Foundation of her own name, which was engaged in charity on an unheard of scale. Anyone could get an appointment with Eva, and she practically refused to help anyone. She died of cancer uterus 26 July 1952 in wild torment. It was officially announced that death was due to leukemia. She was 33 years old. The last thing Eva said, referring to her husband: «Darling, I love you more than life itself:» She bequeathed to bury herself in the family crypt. Peron did not comply with this request. Evita’s body was put up for parting next to her office — in the chapel of the House of the Confederation of Trade Unions.
Evita’s body was here for 15 days. During this time, the whole of Argentina said goodbye to her. After that, Evita Peron began another life — life after death. She was a very powerful woman during her lifetime, and she became even more powerful after her death. Peron asked the Spanish doctor Pedro Ara to embalm her body so that it would remain incorruptible forever.
And it was done. nine0006
After Evita’s death, Peron’s luck turned against him. The economy in the country was getting worse. The army refused to obey. Strikes have begun. And there was no Her, who knew how to make the crowd roar with delight with one wave of her hand. September 20, 1953 Juan Domingo Peron — the thirtieth president of Argentina — fled the country on a Paraguayan gunboat. And Evita remained lying in a glass coffin in the basement of Dr. Ahr’s private clinic. When the military ordered the doctor to show them Evita, at first it seemed to them that she was just sleeping and blue veins were pulsing on her temples. The doctor reassured the officers: there was a cocktail of chemicals in Evita’s vessels. She is absolutely incorruptible. This is what the military did not like. Evita’s body was packed in a box, loaded into a truck, and it began to «travel around the city.» At first it was placed in a military warehouse. But a few days later wreaths and memorial candles appeared at the warehouse gates.
She was transported to the naval base — the story with wreaths and candles was repeated. This coffin was hidden in various places in Argentina, and surprisingly, even in one cinema behind the screen. In the end, the body was taken to his house by the colonel of the special services Orandia. He guarded the body with a machine gun in his hands. The wife was alarmed, and when the colonel left the room, she looked into it. Orandia suddenly returned and discharged a whole horn at his wife. It seemed to him that someone wanted to take Evita away from him. Orandia was handed over to the tribunal. And the military decided to secretly take the body out of the country. Evita was buried in the city cemetery in Milan under the name Maria Marcha. In the early 70s, the attitude towards Peron in Argentina began to change, and Evita’s body was returned to him. He was then living in Spain with his third wife, Isabelita, in a house given to him by Franco. At 1973, tired of the experiments, the Argentines called Peron back to the presidency.
Peron reigned for only a year. He died and was buried with unheard-of honors. Evita’s body was handed over to her relatives, and it finally found peace in the family crypt at the most prestigious cemetery in Buenos Aires, Ricoletta. Eva Peron is buried at a depth of ten meters, the coffin is covered from above by two thick steel plates.
A foreigner, once in Argentina, hears the word «gaucho» every now and then. Trying on a poncho — the seller will definitely say: «This is a real gaucho poncho»; orders tea — the waiter will offer: «Try the real Argentine gaucho tea — mate.» If you want to offend an Argentine, tell him that a gaucho is simply an Argentine cowboy. This is actually not the case. Gauchos have long been carriers of a special culture and lifestyle, when cowboys did not yet think that Hollywood would turn them, ordinary shepherds, into a symbol of America. So, rather, this is a cowboy — an American gaucho. Previously, Argentines looked askance at gauchos or tried not to notice them, but now they are proud of them, trying to imitate them.
Largely because there is a demand for gauchos from foreigners. nine0006
There are several explanations for the term «gauchos». One option: «inhabitant of the Argentine and Uruguayan pampas»; another: «a good rider»; third: «a rude, ignorant, uncouth person»; the fourth, directly opposite: «a graceful, handsome man»; and, finally, the last: «cunning, skillful, skillful.» Perhaps all these characteristics are true, but it is absolutely certain that the Gauchos were absolutely free. They did not depend on anyone, neither from society nor from the state. Except for the weather.» The first gauchos, apparently, were mestizos, born Indians from the Spaniards. Both of them refused to recognize them. These outcasts had no choice but to go to the pampa — the endless, grassy steppes, occupied the whole of central Argentina, where they herded cattle and roamed after the herds from place to place.Gaucho was ideally suited to life in the pampas.0006
Gaucho folklore holds a special place in Argentinean culture.
Many famous writers and poets created in the gaucho style, made gaucho the heroes of their works. Jorge Luis Borges, in a poem called «Gaucho», wrote: «They knew the movement of the stars, the habits of birds and the laws of the winds, they remembered the shape of the clouds and knew the moon by sight.» The life of a gaucho was simple and harsh. There is nowhere to get nails in the steppe — and they created a wagon covered with leather, in which there is not a single metal part. If necessary, it could serve as a mobile home. Gaucho clothes are wide trousers, a fringed jacket, a neckerchief, a wide-brimmed felt hat and, of course, a leather belt richly decorated with silver linings and coins. nine0006
They are also famous for teaching the whole of Argentina how to drink mate. The custom of drinking mate originated long ago and was borrowed by gauchos from local Indians.
Let me explain to those who do not know what mate is. This is a collection of crushed leaves, you can call it tea.
Mate tea is obtained from the leaves of a shrub called zherba mate. Under natural conditions, it can reach 16 meters in height. On plantations, bushes are usually no higher than 2 meters. Harvested only in winter. The Indians call a decoction of mate leaves «kaa» and believe that it multiplies strength, quenches thirst and clarifies the mind. Argentina alone consumes 150,000 tons of mate per year. The cost of mate depends not so much on the variety, but on the technology of sheet processing. Expensive dried exclusively on charcoal. Cheaper — with the help of electricity. They drink mate from a special vessel made from dried gourds called «calabash». It is two-thirds filled with a sheet and poured with hot, but not boiling water. The first portion is drained — too bitter. Then you can brew six more times. The metal tube through which mate is sipped has a strainer at the end so that the tea leaves do not get into the mouth. In the company, «calabash» is allowed in a circle, usually starting with the oldest.
nine0006
The effect of this drink is similar to the effect of coffee, but it seemed to me that everything was much cooler. It’s certainly not coca… but fatigue, drowsiness, desire to smoke, desire to drink, hangover, headache…. go away. The main thing is to brew correctly. And one more thing: this is the favorite drink of Comandante Che (he is also an Argentinean).
It doesn’t take much skill to drink mate like a gaucho, but not everyone can own a horse like him. Once a year, competitions «sortijo» were held in the pampa, which gathered all the youth, and most importantly — unmarried girls. A golden ring was hung from a high horizontal bar. The task of the rider was to strung the ring on a small wooden peak at full gallop. The one who succeeded, presented the trophy to his chosen one. From that moment on, young people were considered engaged. nine0006
Although there are no real gauchos left in Argentina, everything related to their culture is treated with awe here. One of the districts of Buenos Aires is called Chicago for a reason.
Chicago slaughterhouses are famous all over the world, and here is the cattle market. In front of the market there is a statue of a gaucho on horseback. And although cows have been brought here for a long time in special trailers, this does not prevent Argentines of all ages from gathering every Saturday in the square to dance and sing, as their ancestors did. nine0006
In general, it is worth going to Buenos Aires and seeing the numerous generals on horseback in the stone, bowing to Eva Peron, drinking mate, participating in a gaucho show, dancing tango in La Boca and feeling free from everything in the world — a real gaucho .
Margarita Turco
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