El topo cancion: 15 Grandes Éxitos by Antonio Caban Vale, El Topo on Apple Music
A Caban Vale El Topo Cancion Festiva Puerto Rico NMINT
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Antonio Caban Vale El Topo Cancion Festiva Puerto Rico 1978 Caratula: Very Good – With tape/pet minor damage to lower bottom left conner.
Disco: Excellent – NMint Understanding My Grading System Mint: The record itself is in Brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. Excellent: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Very Good: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. Good: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
Fair: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
All Items Sold As Is… Must receive Payment within 5 days. Once the auction ends; wait to receive an email invoice, with totals and payment instructions. Will combine shipping for multiple items won! We recommend shipping via USPS Priority Mail for all items, it’s fast and safest. Returns are accepted only if the item was not as described in the auction. Buyer must contact us to initiate a return within 3 day of receiving the item. Buyer is responsible for return shipping charges. Local buyers in Puerto Rico will be charged IVU 7% sales Tax. We are in business to serve you. Our main goal is customer satisfaction. For other auctions & many, unusual items… Check our E-Bay Store Antiques & Collectables PR From Puerto Rico, USA
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Cantautor y PoetaFecha de nacimiento: 22 de noviembre de 1942 Naci en Moca el 22 de noviembre de 1942. En este humilde pueblo del rea oeste de Puerto Rico es donde pasa su infancia, despertando en l una profunda inclinacin a la reflexin y la meditacin. En 1961 se traslada a Ro Piedras para realizar estudios en la Universidad de Puerto Rico, dando inicio as a una nueva etapa en su vida. Durante estos aos, Antonio vivi todas las tragedias que cualquier estudiante de pueblo pequeo poda encontrar en una universidad grande. Es tambin en la Universidad donde fue bautizado con el mote de “El Topo”, con el cual se di a conocer en el medio artstico. Durante sus aos universitarios comenz a publicar algunos de sus poemas en la revista “Guajana”; publicacin que presentaba las obras de los jvenes ms destacados dentro del quehacer potico. En 1966 recibi el grado de Bachiller en Artes y Ciencias Sociales. Luego se despempe como maestro en la escuela pblica por espacio de dos aos. Es en medio del quehacer didctico que Antonio siente la inquietud de llegar a un nmero mayor de personas con sus versos. Ante lo limitado que resultaba la poesa como vehculo de expresin popular, al entrar en la dcada del 70 comenz a ponerle msica a sus poemas. Muchas de las canciones fueron incluidas en el repertorio del grupo Taon, el cual fund. Con ellos se fortalecieron las races de su experiencia musical, dando inicio su etapa como cantante. En medio del apogeo de la nueva cancin en Puerto Rico, el nombre de Antonio Cabn Vale adquiri una fuerza impresionante en el mundo de la msica. La sencillez de sus versos conquistaron la audiencia al son de “Flor de amapola”, “Qu bonita luna”, “Los lirios del campo”, “Dnde vs Mara” y “Solina, Solina”. Su romntica “Cancin de los amantes” cont con innumerables versiones. El nmero “Expresa lo que sientes” sirvi de tema a la campaa del Departamento de Servicios contra la Adiccin (hoy D. Ms an, la danza “Verde luz” (1970) se consolid como una de las mximas aportaciones del movimiento de la nueva cancin al pentagrama popular de Borinquen. Con decenas de versiones entre las que se encuentran la de la argentina Ginamara Hidalgo, esta composicin de El Topo se considera junto al “Lamento borincano” y “En mi Viejo San Juan” uno de los himnos nacionales de Puerto Rico.Con ms de una veintena de grabaciones. La dcada del 90 atestigu el lanzamiento de producciones como “La patria va” y “Un metro de ternura”. En este ltimo, del cual sobresali el tema “Amante corazn”, cont con la produccin y direccin musical del maestro dominicano Manuel Tejada, as como con la supervisin y seleccin de repertorio de Juan Luis Guerra. Ha logrado adems, publicar dos libros de poesa: “Un lugar fuera del tiempo”, en el cual a travs del verso y la prosa nos lleva al barrio de la Caraima de Moca deleitndonos con experiencias de su infancia. En un comentario sobre su arte, don Francisco Matos Paoli tuvo a bien sealar: “Siempre imprime altura potica a su produccin. Eleva el poema a una cima transcendente. Est lleno de visiones, como Rimbaud. Evita el enlace lgico riguroso. No hay duda que es un heredero del surrealismo, pero tambin tiene pasaje de isla. Su capacidad ensoadora es smbolo de todo poeta verdadero”. El Topo se ha dedicado hasta el presente a renovar los gneros musicales nacionales de Puerto Rico. En la actualidad cuenta con la colaboracin de un grupo de jvenes msicos puertorriqueos que le acompaan en sus actividades, dirigidos por el joven Aden Cabn. Este grupo criollo incluye el cuatro puertorriqueo, la guitarra, el giro y otros elementos de percusin que le permiten llevar un sonido fresco y con sabor a pueblo. Su repertorio contiene diversos gneros criollos caribeos como la dcima, la En nuestro inters por difundir el conocimiento sobre nuestras grandes figuras, se autoriza su reproduccin bajo la condicin de que se le d crdito a la Fundacin y a su autor, si el mismo ha sido indicado. * * * * * Al Indice de CompositoresAl Indice de Danzas |
E.S.C.A.). Y la denuncia poltica se alz en su voz ante el grito de “Antonia” y el cantar del clsico “Cancin del pueblo”.
En “Penltima salida”, predomina una nota de angustia y de deseo de buscar caminos dentro de la ceguedad y confusin en que vivimos.
Incluye temas de amor, canciones a la tierra, jocosidades y otros de contenido histrico y cultural.Falsa identidad – frwiki.wiki
This article may contain unpublished work or unverified statements ( ).
You can help by adding links or removing unpublished content. See the talk page for more details.
Falsa Identidad is an American-Mexican drama television series created by Perla Farias and co-written with Sergio Mendoza.
It is produced by Telemundo Global Studios and Argos Comunicación. It aired from
on Telemundo. It has been broadcast in Africa on Telemundo Africa since .
Summary
- 1 Summary
- 2 Distribution
- 3 seasons
- 4 Notes and references
- 5 External links
Synopsis
Isabelle and Diego are two strangers who must leave their past to escape their enemies. Diego left the family after the death of his father, and his mother remarried. As a protest and punishment for what he sees as a betrayal in memory of his father, Diego enters the underworld and sells fuel to Sonoran’s most powerful drug dealer, Gavino Gaone. Things get complicated when Diego, Gavino’s daughter’s boyfriend, also ended up having an affair with his wife, putting a price on his head.
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For her part, Isabelle married Porfirio “El Corona” at the age of fifteen. At that time, he was a member of a northern music group whose career was just beginning to develop. Over the years, El Corona’s career has faded and he has become jealous, bitter, and neurotic, who physically abuses Isabelle for any reason. Isabelle tolerates the abuse, believing it is best for the children to keep the family together, until one day El Corona’s violence hits her children: Amanda and Ricardo.
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Isabelle runs away from her husband’s house with her children and takes refuge in Zoraida, a cleaner who works for Eliseo Hidalgo, mayor of Alamos, Sonora. Diego, the mayor’s brother, is also hiding from the drug business in the same house. Here their paths cross for the first time and forever. Eliseo hatches a plan to hide Diego outside of Sonora, assuming the identity of an American tourist who has just died in Sonora with his wife and son. To complete the prank, Isabelle must pretend to be Diego’s wife and make Ricardo her child.
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While this decision is an opportunity that Isabelle tried to escape from El Corona, it also involves leaving her eldest daughter and trusting the man she just met. Isabelle and Diego start a new life in Mexico City. They are completely opposite at first, but they learn to trust each other. El Corona and the drug addicts are quick to pursue them, the past always comes to the surface. But in the midst of the chase, Isabelle and Diego discover a passion and chemistry they’ve never known before, and it’s just a step towards achieving true love.
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Distribution
- Luis Ernesto Franco: Diego Hidalgo Virrueta / Emiliano Guevara
- Camila Sodi : Isabelle Fernandez de Corona / Camila de Guevara
- Sergio Goyri : Gavino Gaona
- Samadhi Zendejas : Circe Gaona Flores “La Mami Chula”
- Eduardo Yáñez : Mateo Corona
- Sonia Smith – Fernanda Virrueta Lopez de Hidalgo
- Alejandro Camacho : Augusto Hidalgo Quiros
- Azela Robinson – Ramona Flores
- Uriel del Toro: Jose “Joselito” Hernandez Esparza
- Alvaro Guerrero : Ignacio Salas
- Geraldine Bazan – Marlene Gutierrez
- Gabriela Roel – Felipa Perez
- Marcus Ornellas: Porfirio Corona
- Jimena Gomez: Nuria
- Pepe Gamez : David
- Vanesa Restrepo : Paloma Luján
- Claudia Cepeda – Diana Gutierrez
- Toño Valdes: Jesus “Chucho” Castellanos
- Carla Giraldo – Silvia Gaona
- Juliette Pardau – Gabriela
- Martijn Kuiper : Jim “Gringo”
- Rebeca Manriquez : Zoraida
- Pedro Hernandez : Piojas
- Alejandra Zaid : Lourdes Almaraz
- Hugo Catalan : Eric
- Fernando Memie : Ramiro
- Carlos Tavera : El Topo
- Eduardo Garzon : El Pelos
- Carlos Ramirez Ruelas:
- Mauricio de Montellano : Brandon
- Manuel Balbi : Eliseo Hidalgo Virrueta
- Barbie Casillas : Amanda Corona Fernandez
- Checo Perescuadra : Ricardo Corona Fernandez “Ricas” / Max Guevara
- Emilio Herrera:
- Juan Carlos Serrano : JJ Ibarra
- Mariana Junko – Margo Guevara
- Jorge Almada: Acevedo
- Marco de la O : Claudio Arismendi El Buitre
Seasons
| Seasons | Episodes | Original broadcast nine0140 | |||
|---|---|---|---|---|---|
| First broadcast | Last broadcast | ||||
| 1 | 91 | September 11, 2018 | January 21, 2019, | ||
| 2 | 78 | September 22, 2020 | January 25, 2021 | ||
Notes and links
External links
Telenovelas and series for Telemundo | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| Old telenovelas and serials |
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| Currently broadcasting |
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| Coming soon |
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1 (2019) wikipedia.org/wiki/Special:CentralAutoLogin/start?type=1×1″ alt=”” title=””>
El Topo
“Mole” is a great movie, if limited, then “Mole” is a limited movie.
The popularity of the surreal spaghetti western, which is filled with political allusions, trolling of religion, references to Buddhism and gory scenes, we owe to the Elgin cinema in New York and its director Ben Barengoltz, who showed The Mole at night screenings. For several months, the hall was practically empty, after a while hippies began to come, somehow sniffing out about the film, and finally, the townsfolk, thrill-seekers, followed them. Eventually, The Mole caused a stir and became very popular among the Warhol crowd. John Lennon inscribed the picture in his favorite films. nine0011
It is pointless to write some kind of synopsis with the interpretation of this picture. You have to immerse yourself in the action and draw your own conclusions. Alejandro confirms our position:
Your film is full of religious references and mystical metaphors.
By what principle are all these images combined with each other?
This film is like your mind: it is full of various images, religious and mystical. I am a painter. I don’t make comedy or tragedy, I don’t make a strictly political film, I don’t make a strictly religious film, I do everything. And you already make a choice on what to pay attention to. It’s like eating a cake: you choose the piece you like. I did not try to make the film philosophical, my picture is integral and this is called art, it cannot be philosophical, it is full of everything. I am not Hitchcock, Hitchcock guides you throughout the film, we know how you will react to this or that scene when you are scared or sad. Each viewer reacts differently to the scenes that I shoot. He may laugh, he may cry, he may be angry, I will not control his reaction. Nowadays, all directors dictate how you perceive the plot, they are more sellers than artists. nine1296
I wanted to shoot a giant run of rabbits – you know how bison run in cowboy films.
But they brought me only three hundred rabbits. Three hundred live rabbits don’t make any sense. Three hundred dead, yes. So I came up with a plague scene and killed them all with my own hands. It turned out to be very easy: a rabbit is less protective of his life than a woman’s orgasm.
But they brought me only three hundred rabbits. Three hundred live rabbits don’t make any sense. Three hundred dead, yes. So I came up with a plague scene and killed them all with my own hands. It turned out to be very easy: a rabbit is less protective of his life than a woman’s orgasm.Did you risk your life for a movie?
Many times! For The Mole, I filmed men dancing in a Mexican cowboy’s home. One of them was so drunk that he started poking me in the face with a gun and saying: “Stop filming, otherwise I will kill you”, to which I replied: “Shoot, but I will also kill you by finishing my film. The sun was setting, I had no money for the return trip, but I knew for sure that nothing would happen to me.
Three films that Jodorowsky considers his own: The Mole, The Sacred Mountain, Holy Blood.
I do not make films with my eyes, like other directors, but with my eggs. I had three eggs, and after each film I lost one.
Now I’m completely eggless, that’s why I have such a high voice, and now I can sing in the church choir.“El Topo” begins with the wonderful lines: “A mole digs underground tunnels in search of the sun, and when it comes to the surface, the sun blinds it.” Have you ever been blinded by this metaphorical sun as a multidisciplinary artist? Truth and beauty are often at odds with each other in your films.0004
I’ll tell you a story. There was a certain Tibetan master who said: “Nothing is real, everything is an illusion.” And then one day, his disciples came to him with the sad news that his son, his only son, was dying, and he began to scream heart-rendingly. The students ask him, “Master, why are you shouting like that? Your son is just an illusion.” And the master replies: “Yes, but he was the most beautiful of all illusions.”
I think that today we cannot know the true beauty of things, but we continue to search for our beautiful illusions, the most beautiful thing in our life.